To make a thing
Saturday, June 30, 2007
Last night I found myself at a Meijer’s store across the river, about an hour from home. I had some time on my hands, about four hours of it. I had ducked into the store to buy some fine-point pens and to use the restroom. I had no idea where the office supply section was, so I wandered the store for a little while and found myself in the sewing aisle. I looked wistfully at the sewing machines - mine has ceased working after many years’ use - but saw nothing to covet. I know the machine I actually do covet: it’s a professional mechanical Singer sewing machine with metal parts instead of plastic, no fancy electronics, just a sturdy basic machine. It’s not that I plan to do any sewing this summer. If I had money for fabric, I’d make slipcovers for the living room couch and love seat, but that project will have to wait.
Still, I was itching to make something, and when a pretty ball of cotton yarn caught my eye, I wanted the simple repetitiveness of crocheting. I haven’t crocheted anything since I was in college. I don’t know how to knit at all, though I suspect I will try to learn sometime. And I wanted the pretty balls of yarn. I settled on a project depicted on the label - a string bag. Instructions were promised on the reverse side of the label. I don’t need a string bag, to be honest about the matter, and I did not need four little balls of yarn and a needle. But sometimes it is good to make a thing, to do it instead of buy it, partly for the satisfaction in the doing, partly for the ritual, and partly just to remember how such things are done. Everything comes to us so easily in this culture. We hold out a piece of plastic and the thing we want is ours. We acquire things thoughtlessly, own things thoughtlessly, and dispose of them thoughtlessly. We are impoverished because we are no longer connected to the making.
Everything we own has a story. Everything we eat has a story. Sometimes the stories are stories we don’t want to hear, like the story of how the pallid egg came to rest on the breakfast plate, or how handiwork acquired at a desirable price represents hardship. Sometimes the stories are uninspiring, like the story of the plastic mixing bowl on the shelf at Wal-Mart or Target. I find myself less oblivious to the stories of things than I used to be. I feel the need to make a cotton string bag and use it for a very long time, until it falls apart. On impulse, I buy a small handmade bowl from a potter to mix my bread dough in, not a plastic bowl from a big box store. I plant a seed to grow food for the table. I want less, but the things I have - their nature and their origin and their impact - matter more.
So today, needle in and needle out, pattern ignored (who needs all that tiny cryptic print anyway), a string bag grows row by row, all purple, teal, lavender, and maroon, in the quiet of the empty house on a Saturday evening, while the cat sleeps nearby at the foot of the bed.